Why Should Jewellers Care about the Digital?
In the journal paper ‘Why Should Jewellers care about the Digital’ Koulidou discusses digital jewellery practice from a jeweller’s perspective.
Maria Hanson
Maria is subject tutor for Metalwork and Jewellery students on the MA Design Course, and contributes to lectures and seminars for postgraduate students across all design disciplines
Beneath the Skin
Beneath the Skin was an exhibition that brought together eight academic researchers working within the field of contemporary metalwork and jewellery in order to reveal the research that underpins the object.
Friction stirred mokume gane
Mokume gane is a high value, decorative laminate material used in the jewellery industry. Production of mokume gane is difficult and expensive at both small scale and industrial levels.
Helping Indonesian artisans think like designers
In Indonesia, craft has become an unsustainable industry. We’re helping build cooperation and fair trade into every design.
STAIN-LESS exhibition kicks off Galvanize Sheffield 2013
Galvanize Sheffield Festival of Contemporary Metal is a celebration of all things metal and metalwork.
Making Links: Craft Value Chain
This collection of jewellery artefacts made from recycled glass and metal are the outcome of an enquiry which explored how the application of co-creative design thinking strategies within a rural Indonesian community can provide creative agency for artisan craftmakers
Jeff Durber
I am a Senior Lecturer in the Sheffield Institute of Arts where I teach on the BA (Hons) Jewellery and Metalwork course
Friction stirred mokume gane
Mokume gane is a high value, decorative laminate material used in the jewellery industry. Production of mokume gane is difficult and expensive at both small scale and industrial levels.