Compiled entirely from archive materials including a de-classified FBI file, The Archive tells the incredible story of David Drucker, a lawyer in 1940s America.

a ROLE to PLAY brings together the lived experiences and dreams of Bolsover residents, one of the most deprived towns in the middle of England.

The research ‘Place in Time’ originated in a commission from landscape artist Tim Simmons to develop a publication that would introduce his work to new and wider audiences

Thought Curfew is an original performance project developed for presentation as the headline act of the Ubumuntu Festival of Culture in Kigali, Rwanda in 2018.

The work is an enquiry into whether two strangers suffering past family trauma – a Romanian woman in search of a child that was forcibly taken from her and a Scottish musician confronting the death of his abusive father – can discover a shared empathy to help heal their pain.

The installation Hybrid-Display Structures navigates the complex relationship between the legacy of exhibition making and the contemporaneous reach of curation as art practice, in order to examine the autonomous and authorial positions of artworks.

Mirror IV: Legacy is a two-channel video installation. It was developed as an experimental platform to explore the relationship between content and framing. Specifically, the project considered the authority of a museum and the credibility of an archive.

Virginia Heath's BAFTA-nominated documentary evokes the spirit of 20th century Scotland

This enquiry focuses on the post-industrial city of Sheffield, its female citizens, and their empowerment, explored through filmed participatory performance, and extends Brown’s methodologies developed in Detroit from 2015-2017.

Mirror III: Horizon is a two-channel video installation. The project examines the challenges to trust that can occur when identities cannot be verified.