New photographic work by Michèle Lazenby is to feature in the exhibition In Celebration of Trees, in support of the campaign to save Sheffield's street trees.

The focus of this seminar is methodological and in it I present: the scope of the project; pay attention to the design thinking and development processes (translation and transmission) that supported my analyses; and discuss the influence of practice-based research on coming to know digital spaces

From a repatriation ceremony at Wootton Bassett, to a migratory border crossing between Bulgaria and Turkey, from Berlin’s Reichstag building and the reconstructed ‘memorial wall’, to a journey down the Danube past Belgrade

Laura Kilby joined Sheffield Hallam University in January 2012 as a Senior Lecturer within the department of Psychology, Sociology and Politics

The Absolute Outside, is a term coined by Quentin Meillassoux to describe a space that exists beyond the limits of our thoughts, of being genuinely elsewhere.He argues that thought ‘can never get outside itself to encounter the world as it really is’.

Taiwanese artist Wu Chi-Tsung uses everyday materials in elegant and inventive ways to produce meditative, dream-like environments. Following on from his 2006 residency, the artist returns to Site Gallery, bringing two immersive, light-based installations, Dust and Crystal City 003.

Over three themed sessions, Keith Wilson is hosting a conversation with Ken Arnold (Wellcome Collection) who will reflect on his experience of audience development, exhibition making and commissioning new artistic research through his time at the Wellcome.

This talk will discuss current work on the EU project "meSch" (Material EncounterS with digital Cultural Heritage) aimed at creating a do-it-yourself platform for cultural heritage professionals to design interactive tangible computing installations

Library Interventions is a new series of events, workshops, exhibitions and publications developed by Leeds College of Art Library.

This symposium seeks to re-ignite the work of this radical wave, to ask how they engaged with politics and film and how this might inform politically engaged film making today