"Black Shoals; Dark Matter” is an art-based enquiry into the aesthetics of financial data and how it manifests a relationship with power.

Weather Prediction by Numerical Process - a Forecast for Europe is a performance and exhibition where the weather is forecast through human labour, thus turning the act of computation into a social, performative and collaborative action.

Vindskaber was an inquiry into how the use of Virtual and Augmented Reality might impact on our perception and understanding of the landscape in the future.

Kuannersuit; Kvanefjeld is an art installation, video documentary and evolving online archive which examines the divisive issue of uranium mining in Greenland.

This body of work investigating photography in the Northern Landscape consists of two book chapters, two book editorials, and two exhibition co-curations.

This solo exhibition, realised in three evolving, discrete iterations, addresses questions of role attribution, gender construction, and economic exchange (value forms, after Marx).

This research explores the subversive potential of reading women, as errancy and transgression, in relation to sexuality and education is explored in work/s structured on the education of women and women as readers.

‘COPY’ explores the ways that crossing a historic medium like drawing with technological viewing platforms can open up a space for thinking about the ways images are communicated and conveyed

This research examines a viewer’s experience of an ‘original’, authentic artefact and has generated the following outcomes: 23 mixed media drawings, a live work, a digital app, a limited edition print work and a print portfolio.

The performance work, Of Sound in the Landing Page, was a re-articulation of ‘Thus Spoke Zarathustra’ as a soundscape created from the various elements of the natural world that Nietzsche weaved into his text