Reading as art is a series of events conceived as reading interventions or library 'occupations at the ICA, London, convened by Sarah Wood.

Black Shoals Stock Market Planetarium takes the form of a darkened room with a domed ceiling upon which a computer display is projected, like a planetarium. Audiences are immersed in a world of real-time stock market activity, represented as the night sky, full of stars that glow as trading takes place on particular stocks.

LoBe is a research-led contemporary art space providing artists with an opportunity to develop their practice within an environment that promotes dialogue, collaboration, exhibition making and interdisciplinary research.

Yuen Fong Ling’s work re-created the life model set-up for Nicolas Hilliard's Portrait of an Unknown Man Clasping a Hand from a Cloud (1588), believed connected with the young Shakespeare.

The Imposter Series is an ongoing project of observational still life drawings taken from objects/artefacts/props used in Yuen Fong Ling’s performance-workshops.

Un vent de révolution incorporates works in different mediums, including photographs, objects, books, etchings, and drawings, which address the relation between fashion and moments of revolution or social change.

This work was developed after visiting ‘A’, a woman ill with dementia, every day for ten weeks. During that time Shaw tried to encourage her to make work but to no avail.

Absorbing red photons is the title of a theoretical paper and the second in a trilogy of three video works. The paper and art work takes as its starting point a tourist trip in a submersible that travels to a depth of 2,000ft below sea level of the coast of Roatan, Honduras. Together they explore what might be revealed through this brief act of submersion in a place of perpetual darkness.

Chloë Brown has long been involved in the field of artists’ publications and is particularly interested in the impact that Sol LeWitt has had on the field. She was a member of the Research Group for Artists Publications (RGAP) from 1995 to 2013 supporting the publication of artists book works and editions, disseminating these works, and pursuing debates relating to this area of practice through publications, symposia, conferences, workshops, and the annual Small Publishers Fair run by RGAP in Conway Hall, London each Autumn.

Commissioned by The National Trust in 2011, Foghorn Requiem is a landscape-interactive musical composition for the Souter Lighthouse Foghorn, highlighting the passing of the foghorn from the British coastal landscape. Foghorn Requiem is performed by the ship horns of a flotilla of sixty vessels on the North Sea, three onshore brass bands and the Souter Foghorn itself.