Repositioning of Archives

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Repositioning of Archives

A film researcher's workspace seen from above. Shows spools of different sizes, play controls, a pair of light rubber gloves, a notebook, a pen and a roll of masking tape.
© Esther Johnson

By re-imagining the use of international archival material, researchers connected to the Repositioning of Archives theme aim to challenge conventional historical narratives in radical and novel ways.

Research in this area aims to reveal alternative social histories, and provoke new perspectives on class, marginalised communities and gender stereotypes.

Alternative narratives from archival material are explored in order to re-state and contest official histories, illuminate social challenges, and to reveal the sometimes hidden or suppressed. Interdisciplinary creative processes utilised in this group include film ‘making’, fine art, performance and photography.

Areas explored include:

  • Revealing and digitising never before seen/seldom-seen archive materials
  • Radical Archives
  • Activation of Archival Material
  • Politics of Archives: the formation of, access to, and ownership of archival material
  • Challenging Stereotypes present in Archive
  • Contesting official histories
  • Restaging of Archive

Related staff

Virginia-Heath

Virginia Heath

Professor of Film

Virginia Heath's profile
Esther Johnson

Esther Johnson

Professor of Film and Media Arts

Esther Johnson's profile
Sharon Kivland

Sharon Kivland

Reader in Fine Art

Sharon Kivland's profile
Penny McCarthy

Penny McCarthy

Reader in Fine Art

Penny McCarthy's profile
Daniela Petrelli

Daniela Petrelli

Professor of Interaction Design

Daniela Petrelli's profile
Dr Rinella Cere staff image

Rinella Cere

Reader in Media and Cultural Studies

Rinella Cere's profile
Peter Spence

Peter Spence

Senior Lecturer

Peter Spence's profile

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Get in touch

Contact the ADMRC to discuss facilities, partnerships, doctoral research and more

Email ADMRC