The research for this journal article explores the design history of a relatively short-lived phenomenon— the glass-walled secure rooms in which mainframe computers were housed within corporate workplaces in the 1960s and 1970s.

‘COPY’ explores the ways that crossing a historic medium like drawing with technological viewing platforms can open up a space for thinking about the ways images are communicated and conveyed

This research examines a viewer’s experience of an ‘original’, authentic artefact and has generated the following outcomes: 23 mixed media drawings, a live work, a digital app, a limited edition print work and a print portfolio.

"Black Shoals; Dark Matter” is an art-based enquiry into the aesthetics of financial data and how it manifests a relationship with power.

The performance work, Of Sound in the Landing Page, was a re-articulation of ‘Thus Spoke Zarathustra’ as a soundscape created from the various elements of the natural world that Nietzsche weaved into his text

The installation Hybrid-Display Structures navigates the complex relationship between the legacy of exhibition making and the contemporaneous reach of curation as art practice, in order to examine the autonomous and authorial positions of artworks.

Thought Curfew is an original performance project developed for presentation as the headline act of the Ubumuntu Festival of Culture in Kigali, Rwanda in 2018.

Mirror IV: Legacy is a two-channel video installation. It was developed as an experimental platform to explore the relationship between content and framing. Specifically, the project considered the authority of a museum and the credibility of an archive.

Virginia Heath's BAFTA-nominated documentary evokes the spirit of 20th century Scotland

This enquiry focuses on the post-industrial city of Sheffield, its female citizens, and their empowerment, explored through filmed participatory performance, and extends Brown’s methodologies developed in Detroit from 2015-2017.