Fenwick, J. (2021). Unproduction Studies and the American Film Industry. London: Routledge. https://www.routledge.com/Unproduction-Studies-and-the-American-Film-Industry/Fenwick/p/book/9781032072210

Fenwick, J. (2021). Urban Regeneration and Stakeholder Dynamics in the Formation, Growth and Maintenance of the Sheffield International Documentary Festival in the 1990s. Historical Journal of Film, Radio and Television. http://doi.org/10.1080/01439685.2021.1922035

Fenwick, J. (2020). Stanley Kubrick Produces. Rutgers University Press. https://www.rutgersuniversitypress.org/stanley-kubrick-produces/9781978814875

Fenwick, J., Foster, K., & Eldridge, D. (Eds.). (2020). Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury. https://www.bloomsbury.com/us/shadow-cinema-9781501351600/

Fenwick, J., Foster, K., & Eldridge, D. (Eds.). (2020). Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury. https://www.bloomsbury.com/us/shadow-cinema-9781501351600/

Fenwick, J. (Ed.). (2020). Understanding Kubrick's 2001: a space odyssey : representation and interpretation. Intellect. https://www.intellectbooks.com/understanding-kubricks-2001-a-space-odyssey

Fenwick, J., Hunter, I.Q., & Pezzotta, E. (2017). Stanley Kubrick: A Retrospective. Cinergie, 12. http://doi.org/10.6092/issn.2280-9481/7341

Fenwick, J., Hunter, I.Q., & Pezzotta, E. (2017). The Stanley Kubrick Archive: A Dossier of New Research. Historical Journal of Film, Radio and Television, 37 (3), 367-372. http://doi.org/10.1080/01439685.2017.1342329

Journal articles

Fenwick, J., Foster, K., & Vice, S. (2024). Introduction: Unmade Holocaust Films. Journal of War and Culture Studies, 247-253. http://doi.org/10.1080/17526272.2024.2360760

Fenwick, J., Foster, K., & Vice, S. (2024). Introduction: Unmade Holocaust Films. Journal of War and Culture Studies, 247-253. http://doi.org/10.1080/17526272.2024.2360760

Fenwick, J. (2023). Stanley Kubrick, the 1974 Finance Act, and the crisis of the British film industry: a case study of access, power and privilege in British media and politics. Historical Journal of Film, Radio and Television. http://doi.org/10.1080/01439685.2023.2256637

Fenwick, J. (2022). Problems with Kubrick: reframing Stanley Kubrick through archival research. The New Review of Film and Television Studies. http://doi.org/10.1080/17400309.2022.2091888

Fenwick, J. (2022). ‘Keep ‘em in the East’: Kazan, Kubrick, and the Postwar New York Film Renaissance. Historical Journal of Film, Radio and Television, 42 (2), 377-379. http://doi.org/10.1080/01439685.2022.2050597

Fenwick, J. (2022). Labouring on A Clockwork Orange (1971): finding the voices of creative, technical, and administrative workers in the Stanley Kubrick Archive. Historical Journal of Film, Radio and Television. http://doi.org/10.1080/01439685.2022.2018560

Melia, M., Orgill, G., & Fenwick, J. (2022). Introduction: 50 years of A Clockwork Orange (1971). Historical Journal of Film, Radio and Television. http://doi.org/10.1080/01439685.2022.2018561

Fenwick, J. (2021). John Boorman’s The Lord of the Rings: A Case Study of an Unmade Film. Historical Journal of Film, Radio and Television. http://doi.org/10.1080/01439685.2021.1976913

Fenwick, J. (2021). Everyday movies: portability and the transformation of American Culture [book review]. Historical Journal of Film, Radio and Television, 41 (3), 631-633. http://doi.org/10.1080/01439685.2021.1949128

Fenwick, J. (2021). Stanley Kubrick: New York Jewish intellectual. Journal of Modern Jewish Studies, 20 (1), 132-133. http://doi.org/10.1080/14725886.2021.1875591

Fenwick, J. (2018). ‘Let this be Kubrick’s final word. Do you hear us Warner Bros.?’: Fan reception to the death of Stanley Kubrick and his final film, Eyes Wide Shut. The Journal of Fandom Studies, 6 (1), 21-32. http://doi.org/10.1386/jfs.6.1.21_1

Fenwick, J. (2017). Curating Kubrick: Constructing New Perspective Narratives in Stanley Kubrick Exhibitions. Screening the Past, (42). http://www.screeningthepast.com/2017/09/curating-kubrick-constructing-new-perspective-narratives-in-stanley-kubrick-exhibitions/

Book chapters

Fenwick, J., & Corker, C. (2024). Memory, heritage, and the post steel city: Mediating the transformation of Sheffield since 1990. In Mediating the Transformation and Decline of Industrial Cities. Routledge

Fenwick, J., & Rodgers, D. (2023). Introduction: a critical reflection on thirty years of The X-Files. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. New York: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Fenwick, J. (2023). Introduction to Part one: Cultural legacies: landscape, environment, technology. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. New York: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Fenwick, J. (2023). Introduction to Part four: Intersectional legacies: identity and representation. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. New York: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Fenwick, J., & Rodgers, D. (2023). Introduction: a critical reflection on thirty years of The X-Files. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. New York: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Fenwick, J. (2023). Introduction to Part one: Cultural legacies: landscape, environment, technology. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. New York: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Fenwick, J. (2023). Introduction to Part four: Intersectional legacies: identity and representation. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. New York: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Rodgers, D. (2023). Introduction to Part Three: The X-Philes: fandom and paratextual narratives. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. New York: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Rodgers, D. (2023). Introduction to Part Two: Contemporary legend: conspiracy, belief and politics. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-Files. New York: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Clarke, D. (2023). I want to believe: how UFOs conquered the X-files. In Fenwick, J., & Rodgers, D. (Eds.) The Legacy of The X-files. (pp. 105-120). New York: Bloomsbury Academic: https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Fenwick, J. (2023). Lolita, Censorship, and Controversy: The Archival Remains of the Dispute Between Canon L. J. Collins and Stanley Kubrick. In Etienne, A., Halligan, B., & Weedman, C. (Eds.) Adult Themes: British Cinema and the 'X' Certificate in the Long 1960s. (pp. 91-110). New York: Bloomsbury Academic: https://www.bloomsbury.com/uk/adult-themes-9781501375262/

Fenwick, J. (2022). The Problems with Lolita (1962). In Ritzenhoff, K.A., Metlić, D., & Szaniawski, J. (Eds.) Gender, Power, and Identity in The Films of Stanley Kubrick. Abingdon: Routledge: http://doi.org/10.4324/9781003208174

Fenwick, J. (2022). Une publicité pour Dieu et pour le programme spatial: 2001, l’odyssée de l’espace et le Festival international du film de Moscou de 1969 / “A commercial for God and the space program”: 2001: A Space Odyssey and the 1969 Moscow International Film Festival. In Robinson, C., & Azulys, S. (Eds.) 2001: A Space Odyssey: At the Crossroads of Science and the Arts (2001 : l’odyssée de l’espace : Au carrefour des sciences et des arts). Les Éditions de l’École Polytechnique

Fenwick, J. (2021). A film ‘highly offensive to our nation’: Stanley Kubrick’s Paths of Glory (1957), Censorship, and Militaristic Representations of Post-War Europe. In The Routledge Companion to European Cinema. London: Routledge: http://doi.org/10.4324/9781003027447

Fenwick, J. (2021). Kubrick and Production. In Hunter, I.Q., & Abrams, N. (Eds.) The Bloomsbury Companion to Stanley Kubrick. https://www.bloomsbury.com/us/the-bloomsbury-companion-to-stanley-kubrick-9781501343636/: Bloomsbury: https://www.bloomsbury.com/us/the-bloomsbury-companion-to-stanley-kubrick-9781501343636/

Fenwick, J. (2020). A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo! In Fenwick, J., Foster, K., & Eldridge, D. (Eds.) Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury Academic: https://www.bloomsbury.com/us/shadow-cinema-9781501351617/

Fenwick, J. (2020). A production strategy of overdevelopment: Kirk Douglas’s Bryna Productions and the unproduced Viva Gringo! In Fenwick, J., Foster, K., & Eldridge, D. (Eds.) Shadow Cinema The Historical and Production Contexts of Unmade Films. Bloomsbury Academic: https://www.bloomsbury.com/us/shadow-cinema-9781501351617/

Fenwick, J., Foster, K., & Eldridge, D. (2020). Introduction: What Is and What Might Have Been. In Shadow Cinema: The Historical and Production Contexts of Unmade Films. (pp. 1-14). Bloomsbury

Fenwick, J., Foster, K., & Eldridge, D. (2020). Introduction: What Is and What Might Have Been. In Shadow Cinema: The Historical and Production Contexts of Unmade Films. (pp. 1-14). Bloomsbury

Fenwick, J. (2020). Eyes Wide Shut. In Murguía, S.J., Dymond, E.J., & Fennelly, K. (Eds.) Encyclopedia of Sexism in American Films. Rowman and Littlefield: https://rowman.com/ISBN/9781538115527/The-Encyclopedia-of-Sexism-in-American-Films

Fenwick, J. (2020). Kirk Douglas and Stanley Kubrick: Reconsidering a Creative and Business Partnership. In A Critical Companion to Stanley Kubrick. Lanham: Lexington books: https://rowman.com/ISBN/9781793613769/A-Critical-Companion-to-Stanley-Kubrick#:~:text=A%20Critical%20Companion%20to%20Stanley%20Kubrick%20offers%20a%20thorough%20and,depictions%20of%20war%20and%20violence

Fenwick, J. (2020). ‘‘Look, Ma, I’m A Corporation!’: United Artists and Kirk Douglas’s Bryna Productions 1955-1959’. In Krämer, P., Needham, G., Tzioumakis, Y., & Balio, T. (Eds.) United Artists. Routledge: https://www.routledge.com/United-Artists/Kramer-Needham-Tzioumakis-Balio/p/book/9780367179007

Fenwick, J. (2019). Body Double. In Murguía, S.J., Dymond, E.J., & Fennelly, K. (Eds.) Encyclopedia of Sexism in American Films. Rowman and Littlefield: https://rowman.com/ISBN/9781538115527/The-Encyclopedia-of-Sexism-in-American-Films

Fenwick, J. (2018). Tsui Hark’s film workshop: Political cues in the gangster film 1986-1989. In A Companion to the Gangster Film. (pp. 430-445). John Wiley & Sons, Inc: http://doi.org/10.1002/9781119041757.ch23

Fenwick, J. (2018). A Clockwork Orange: Anthony Burgess’s (1962) black comedy and Stanley Kubrick’s violent grotesque (1971). In Gale researcher guide for: A Clockwork Orange: Anthony Burgess's Black Comedy (1962) and Stanley Kubrick's Violent Grotesque (1971). Gale, Cengage Learning

Fenwick, J. (2018). Performing the man-ape in “The Dawn of Man”: Daniel Richter and the American Mime Theatre. In Fenwick, J. (Ed.) Understanding Stanley Kubrick’s 2001: A Space Odyssey: Representation and Interpretation. Intellect: https://www.intellectbooks.com/understanding-kubricks-2001-a-space-odyssey

Fenwick, J. (2018). Forging new perspectives. In Fenwick, J. (Ed.) Understanding Stanley Kubrick’s 2001: A Space Odyssey: Representation and Interpretation. Intellect: https://www.intellectbooks.com/understanding-kubricks-2001-a-space-odyssey

Fenwick, J. (2018). Performing the man-ape in “The Dawn of Man”: Daniel Richter and the American Mime Theatre. In Fenwick, J. (Ed.) Understanding Stanley Kubrick’s 2001: A Space Odyssey: Representation and Interpretation. Intellect: https://www.intellectbooks.com/understanding-kubricks-2001-a-space-odyssey

Fenwick, J. (2017). “Freddie, can you talk?”: the ethics of betrayal in Frederic Raphael’s Memoir Eyes Wide Open. In Herbe, S., & Linke, G. (Eds.) British Autobiography in the 20th and 21st Centuries. (pp. 39-58). Universitätsverlag: https://www.winter-verlag.de/en/detail/978-3-8253-6848-7/Herbe_Linke_Eds_British_Autobiography/

Fenwick, J. (2017). The Eady Levy, "the envy of most other European nations": Runaway productions and the British Film Fund in the early 1960s. In Hunter, I.Q., Porter, L., & Smith, J. (Eds.) The Routledge Companion to British Cinema History. (pp. 191-199). Abingdon: Routledge: http://doi.org/10.4324/9781315392189

Books

Fenwick, J., & Rodgers, D. (Eds.). (2023). The Legacy of The X-Files. London: Bloomsbury Academic. https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Fenwick, J., & Rodgers, D. (Eds.). (2023). The Legacy of The X-Files. London: Bloomsbury Academic. https://www.bloomsbury.com/uk/legacy-of-the-xfiles-9781501387630/

Scholarly editions

Fenwick, J., Melia, M., & Orgill, G. (Eds.). (2022). 50 Years of A Clockwork Orange (Special Issue). Historical Journal of Film, Radio and Television.

Fenwick, J., Hunter, I.Q., & Pezzotta, E. (Eds.). (2017). Stanley Kubrick A Retrospective (Special Issue). Cinergie. http://doi.org/10.6092/issn.2280-9481/v6-n12-2017

Fenwick, J., Hunter, I.Q., & Pezzotta, E. (Eds.). (2017). The Stanley Kubrick Archive (Speccial Dossier). Historical Journal of Film, Radio and Television. https://www-tandfonline-com.hallam.idm.oclc.org/toc/chjf20/37/3?nav=tocList

Reports

Fenwick, J. (2023). Yorkshire's film festival programmers: Working conditions, skills, and the relationship to the region’s screen industries. Screen Industries Growth Network. https://screen-network.org.uk/publication/yorkshires-film-festival-programmers/

Theses / Dissertations

Fenwick, J. (2018). Stanley Kubrick: Producers and Production Companies 1953-1999. (Doctoral thesis). Supervised by Hunter, I.Q.

Internet Publications

Fenwick, J. (2022). Failure, unmade films, and Hollywood. https://www.flowjournal.org/2022/01/failure-unmade-films-and-hollywood/

Fenwick, J. (2021). Stanley Kubrick and #MeToo. [Blog]. https://nrftsjournal.org/stanley-kubrick-and-metoo/

Fenwick, J. (2021). The World Assembly of Youth and Archival Serendipity. [Blog post]. http://iamhist.net/2021/01/world-assembly-youth-archival-serendipity/

Fenwick, J. (2020). Hidden Histories of Film and Media. [Researcher Blog]. https://blogs.shu.ac.uk/c3riimpact/hidden-histories-of-film-and-media/

Fenwick, J. (2020). Archival Research in the Age of Coronavirus: Alternatives, Opportunities and Dangers. [Blog post]. https://www.intellectbooks.com/archival-research-in-the-age-of-coronavirus-alternatives-opportunities-and-dangers

Fenwick, J. (2018). A day at the archives…The Kirk Douglas Papers, Wisconsin Historical Society. http://iamhist.net/2018/10/day-archives-kirk-douglas-papers-wisconsin-historical-society/

Fenwick, J. (2017). A day at the archives…The Stanley Kubrick Archives, University of the Arts London (UAL). http://iamhist.net/2017/12/stanley-kubrick-archives/

Exhibitions

Fenwick, J., & Hunter, I.Q. (2016). Stanley Kubrick: Cult Auteur. Heritage Center, Leicester.

Fenwick, J., & Hunter, I.Q. (2016). Stanley Kubrick: Cult Auteur. Heritage Center, Leicester.

Fenwick, J., & Hunter, I. (2016). Stanley Kubrick: A Retrospective. [Cinema season]. Phoenix Cinema.

Fenwick, J., & Hunter, I. (2016). Stanley Kubrick: A Retrospective. [Cinema season]. Phoenix Cinema.

Fenwick, J., Cere, R., & Richards, A. (2023). Sheffield DocFest 30th Anniversary Exhibition. Sheffield DocFest. https://sheffdocfest.com/composition/30th-anniversary-exhibition

Media

Fenwick, J., & Salleh, S. (2023). Experiences of a Film Festival Programmer. [Documentary].

Fenwick, J. (2021). Author James Fenwick discusses his new book Stanley Kubrick Produces. [Podcast]. William Ramsey Investigates

Fenwick, J. (2021). Author James Fenwick discusses his new book Stanley Kubrick Produces. [Podcast]. William Ramsey Investigates

Loftus, J. (2020). Lolita Podcast. [Podcast]. iHeartRadio

Fenwick, J. (2020). James Fenwick, Stanley Kubrick Produces…with TRE’s Giles Brown. [Radio Interview]. Talk Radio Europe

Fenwick, J. (2020). James Fenwick, Stanley Kubrick Produces…with TRE’s Giles Brown. [Radio Interview]. Talk Radio Europe

Fenwick, J. (2020). The Future of the BBC - Radio Debate, Paulette Edwards Show. [Radio]. BBC Radio Sheffield

Fenwick, J. (2020). The Future of the BBC - Radio Debate, Paulette Edwards Show. [Radio]. BBC Radio Sheffield

Presentations

Fenwick, J. (2024). Writing about archival waste: Ephemera, history, and the Stanley Kubrick Archive. Presented at: Experimental Archives, Kingston University

Fenwick, J. (2023). Problems with Kubrick: Power, Privilege, and Exploitation in the Media Industries.

Rodgers, D., & Fenwick, J. (2023). The Art of the X-Files. Presented at: The Art of The X-Files, Peak Theatre, SHU

Fenwick, J. (2023). Horizon scanning: researcher development in an evolving landscape. Presented at: Vitae International Researcher Development Conference, Science and Industry Museum, Manchester

Fenwick, J. (2023). Horizon scanning: researcher development in an evolving landscape. Presented at: Vitae International Researcher Development Conference, Science and Industry Museum, Manchester

Fenwick, J. (2023). Open Screens and the challenges and opportunities of open access publishing in film and media studies. Presented at: The Lower Decks. A Symposium on Janeway and Open Access Publishing, Birkbeck, University of London

Fenwick, J., & Richards, A. (2023). Exhibiting Archives to Communicate Heritage: A Case Study of a Local Exhibition on the History of the Sheffield International Documentary Festival (DocFest). Presented at: Archives, Heritage, Community: Methods, Case Studies, Collaboration, Sheffield Hallam University

Fenwick, J., & Richards, A. (2023). Exhibiting Archives to Communicate Heritage: A Case Study of a Local Exhibition on the History of the Sheffield International Documentary Festival (DocFest). Presented at: Archives, Heritage, Community: Methods, Case Studies, Collaboration, Sheffield Hallam University

Fenwick, J. (2023). Sustaining a load of rubbish or: How I learned to stop worrying and recycle archival ephemera in the Stanley Kubrick Archive. Presented at: BAFTSS 2023, University of Lincoln

Fenwick, J. (2022). It’s not just about Stanley: The Stanley Kubrick Archive as a site for multidisciplinary perspectives and research. Presented at: Annual Stanley Kubrick Lecture 2022, University of the Arts London

Fenwick, J. (2022). Stanley Kubrick, Archive Research, and Film History. Presented at: Guest lecture - film research seminar series, York St. John University

Fenwick, J. (2022). Researcher Confessional. Presented at: METHOD, SHU / online

Fenwick, J. (2022). Exposing Muybridge - introduction and filmmaker Q&A. Presented at: Sheffield DocFest, Curzon Cinema

Fenwick, J. (2022). Exposing Muybridge - introduction and filmmaker Q&A. Presented at: Sheffield DocFest, Curzon Cinema

Fenwick, J. (2022). Fragile Memory - introduction and filmmaker Q&A. Presented at: Sheffield DocFest, Curzon Cinema

Fenwick, J. (2022). Fragile Memory - introduction and filmmaker Q&A. Presented at: Sheffield DocFest, Curzon Cinema

Fenwick, J. (2022). The Precarious Lives of Yorkshire's Film Festival Programmers. Presented at: Creating Knowledge Conference 2022, Sheffield Hallam University, 2022

Fenwick, J., & Ritzenhoff, K. (2021). Re-assessing the Male Auteur After #MeToo: A Case Study of Stanley Kubrick.

Fenwick, J., & Ritzenhoff, K. (2021). Re-assessing the Male Auteur After #MeToo: A Case Study of Stanley Kubrick.

Fenwick, J. (2021). Decentering Kubrick Studies Through Archival Research’. Presented at: Research seminar series, Online

Fenwick, J. (2021). Kubrick, Women’s Bodies, and Casting in A Clockwork Orange (1971): Questions for Film History Research. Presented at: Time and the Body in Film, TV and Screen Studies, University of Southampton Centre for International Film Research

Fenwick, J. (2021). A Case Study of the Decentering of Stanley Kubrick Across Six Years of Teaching. Presented at: Media Education Summit 2021, University of Leeds

Fenwick, J. (2020). Spartacus in the Archive: Doing History in the Kirk Douglas Papers. Presented at: Spartacus @ 60, Online

Fenwick, J., & Corker, C. (2020). Memory, Heritage and the Post-Steel City: The Transformation of Sheffield Since 1990. Presented at: Rethinking the Histories and Legacies of Industrial Cities, University of Luxembourg

Fenwick, J. (2020). Developing Student Experience Through ‘Course Leader Surgeries. Presented at: Course Leader Fest, Sheffield Hallam University

Fenwick, J. (2020). The Evolution of a Documentary Festival: The Cultural Growth of Sheffield Doc/Fest. Presented at: Reframing Film Festivals: Histories, Economies, Cultures, Universita Ca' Foscari, Venice

Fenwick, J. (2019). Teaching Kubrick. Presented at: Life and Legacy, Studying the Work of Stanley Kubrick, University of Leiden

Fenwick, J. (2019). Teaching Kubrick. Presented at: Life and Legacy, Studying the Work of Stanley Kubrick, University of Leiden

Fenwick, J. (2019). Kubrick's Legacy. Presented at: Life and Legacy, Studying the Work of Stanley Kubrick, Lorentz Center, University of Leiden, Netherlands

Fenwick, J., & Melia, M. (2019). New Material, New Perspectives? Presented at: Life and Legacy, Studying the Work of Stanley Kubrick, University of Leiden

Fenwick, J. (2018). A Graphic Representation: Kubrick's A Clockwork Orange and Ballantine Books. Presented at: A Clockwork Symposium: A Clockwork Orange, New Perspectives, University of the Arts London

Fenwick, J. (2018). A Transmedia Odyssey: Marvel Comics and the Expansion of the 2001: A Space Odyssey Universe. Presented at: International Kubrick Symposium 2018, Deutsches Filminstitut Filmmuseum, Frankfurt, 2018

Fenwick, J., Jaunas, V., Odino, S., Ulivieri, F., & Peiler, N. (2018). Understanding Kubrick's 2001: A Space Odyssey Panel Debate. Presented at: International Kubrick Symposium 2018, Frankfurt

Fenwick, J., Jaunas, V., Odino, S., Ulivieri, F., & Peiler, N. (2018). Understanding Kubrick's 2001: A Space Odyssey Panel Debate. Presented at: International Kubrick Symposium 2018, Frankfurt

Fenwick, J. (2016). Introduction to The Killing.

Fenwick, J. (2016). A Transmedia Odyssey: Marvel Comic Adaptation of 2001: A Space Odyssey. Presented at: BAFTSS Annual Conference, University of Reading

Fenwick, J. (2015). Producing the Man-Ape in 2001: A Space Odyssey (1968): Questions of Authorial Agency. Presented at: 25th Annual Screen Studies Conference, University of Glasgow

Fenwick, J. (2015). Hawk Films Ltd. And the Cinema Products Corporation: An Innovative Collaboration During the 1970s. Presented at: New Frontiers in Cinema and Television, De Montfort University

Other publications

Fenwick, J. (2023). Written evidence submitted to the British and High-End Television Committee re Film Festivals. https://committees.parliament.uk/writtenevidence/125669/html/

Alberge, D. (2020). Stanley Kubrick and Kirk Douglas wanted Doctor Zhivago movie rights. The Guardian: https://www.theguardian.com/film/2020/nov/09/stanley-kubrick-kirk-douglas-wanted-doctor-zhivago-movie-rights

Fenwick, J. (2020). 2001 between Kubrick and Clarke: The Genesis, Making and Authorship of a Masterpiece. Edinburgh University Press: http://doi.org/10.3366/jbctv.2020.0548

Jagger, N. (2020). Lockdown watch: why we turn to TV in times of increased anxiety. NME: https://www.nme.com/features/lockdown-watch-tv-netflix-streaming-2699375

Fenwick, J. (2020). Documenting syria: Film-making, video activism and revolution. Taylor & Francis: http://doi.org/10.1080/01439685.2020.1773089

Fenwick, J. (2020). The Routledge Companion to Urban Media and Communication. Routledge: http://doi.org/10.1080/01439685.2020.1773091

Fenwick, J. (2020). Bad film histories: ethnography and the early archive. Taylor & Francis: http://doi.org/10.1080/17460654.2020.1754469

Fenwick, J. (2020). An Archive of the Catastrophe: The Unused Footage of Claude Lanzmann's Shoah. Taylor & Francis: http://doi.org/10.1080/01439685.2020.1729553

Ciampaglia, D. (2018). The Crazy Legacy of Jack Kirby’s Forgotten 2001: A Space Odyssey. Wired: https://www.wired.com/story/jack-kirby-2001-space-odyssey-history/

Fenwick, J. (2017). City Movie Held Its Own With Hollywood Blockbusters. The Sheffield Star

Fenwick, J. (2015). Stanley Kubrick: Adapting the Sublime. Oxford University Press (OUP): http://doi.org/10.1093/adaptation/apv015