Connolly, A. (2009). Review of Shakespeare'sThe Tempest(directed by Janice Honeyman) at the Courtyard Theatre, Stratford-upon-Avon and on tour, February–April 2009. Shakespeare, 5 (4), 462-464. http://doi.org/10.1080/17450910903370558

Egan, G., Smith, P.J., Parsons, E., Hartwell, J., Connolly, A., Wood, R., ... Lamb, E. (2009). VI * Shakespeare. The Year's Work in English Studies, 88 (1), 345-486. http://doi.org/10.1093/ywes/map019

(2008). Review of Shekar Kapur'sElizabeth: The Golden Age. Shakespeare, 4 (2), 188-191. http://doi.org/10.1080/17450910802083526

(2008). Review of Shakespeare'sThe Tempest(directed by Jack Shepherd for the Love and Madness Ensemble) at the Studio, Sheffield Theatres, September 2007. Shakespeare, 4 (1), 93-96. http://doi.org/10.1080/17450910801902866

Connolly, A. (2007). David and Bethsabe: reconsidering biblical drama of the long 1590s. Early modern literary studies, 13 (2). http://purl.oclc.org/emls/si-16/connpeel.htm

CONNOLLY, A., & HOPKINS, L. (n.d.). A Darker Shade of Pale: Webster’s Winter Whiteness. E-rea, (12.2). http://doi.org/10.4000/erea.4483

Book chapters

Connolly, A. (2019). Biblical Tragedy: George Peele's David and Bethsabe. In The Genres of Renaissance Tragedy. (pp. 29-50). Manchester, England: Manchester University Press

Connolly, A., & Hopkins, L. (2013). Introduction. In Essex: the cultural impact of an Elizabethan courtier. (pp. 1-24). Manchester University Press: https://manchesteruniversitypress.co.uk/9780719084942/

Connolly, A., & Hopkins, L. (2013). The Earl of Essex and the Duke of Windsor: Elizabeth and Essex on film. In Essex: The cultural impact of an Elizabethan courtier. (pp. 279-293). https://manchesteruniversitypress.co.uk/9780719084942/

Hopkins, L. (2013). The dark side of the moon: Semiramis and Titania. In Connolly, A., & Hopkins, L. (Eds.) Goddesses and Queens: The iconography of Elizabeth I. (pp. 117-135). Manchester University Press: https://manchesteruniversitypress.co.uk/9780719090110/

Connolly, A.F. (2011). Guy of Warwick, Godfrey of Bouillon, and Elizabethan Repertory. In Early Modern England and Islamic Worlds. (pp. 139-158). Palgrave Macmillan US: http://doi.org/10.1057/9780230119826_8

Connolly, A. (2011). In the repertoire: women beware women on stage. In Hiscock, A. (Ed.) Women beware women: a critical guide. (pp. 59-76). Continuum: http://www.bloomsbury.com/us/women-beware-women-9781847060938/

Connolly, A. (2010). Shakespeare and the Fairy King: Re-viewing the Cultural and Political Contexts of A Midsummer Night's Dream. In A Midsummer Night's Dream: a Critical Guide. (pp. 131-149).

Connolly, A. (2009). New directions : Shakespeare and the Fairy King : re-viewing the cultural and political contexts of A Midsummer Night's Dream. In Buccola, R. (Ed.) A Midsummer Night's Dream : a critical guide. (pp. 131-149). Continuum

Connolly, A. (2007). Evaluating virginity: a Midsummer Night's Dream and the iconography of marriage. In Connolly, A., & Hopkins, L. (Eds.) Goddesses and Queens: the iconography of Elizabeth I. (pp. 136-153). Manchester: Manchester University Press: http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1204076

Connolly, A. (2002). "O unquenchable thirst of gold": Lyly's Midas and the English quest for Empire. Humanities Research Centre, Sheffield Hallam University: http://purl.oclc.org/emls/08-2/conngold.html

Books

Connolly, A., & Hopkins, L. (2013). Essex: the cultural impact of a Renaissance Courtier. Manchester: Manchester University Press.

Connolly, A. (2013). RICHARD III: A Critical Reader.

Connolly, A., & Hopkins, L. (Eds.). (2007). Goddesses and Queens: the iconography of Elizabeth I. Manchester Univ Press. http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1204076

Connolly, A., & Hopkins, L. (Eds.). (2007). Goddesses and Queens: the iconography of Elizabeth I. Manchester Univ Press. http://www.manchesteruniversitypress.co.uk/catalogue/book.asp?id=1204076